At the age of 13, working in a glove factory, his hand and arm were crushed under a press. Now the South Korean president is relaunching the fight against workplace accidents. The country records 3.9 deaths per 100,000 workers, with a 4.1% increase in victims over the last five years. The government is increasing funds for prevention in 2026, with inspections in companies and protection for subcontracted workers. Meanwhile, the opposition accuses Lee of populism and ineffective measures.
A new serious landslide in Central Java province has caused at least 18 deaths and numerous missing persons. Rescue efforts are hampered by a deep fracture in the ground, and new rains could widen the area affected by the disaster. Climate change and geological conditions are putting the entire country at increasing risk.
Over two hundred IT experts discussed the prospects for artificial intelligence and technological entrepreneurship in the region. The ambition is not only to be users, but to develop local skills capable of competing in the innovation market.
Today, World Day of the Poor, Prevost had lunch with 1,300 poor and marginalised people. Homily in St Peter's Basilica: “There can be no peace without justice”. After the Angelus, sorrow for the attacks in “tormented Ukraine”: “Victims and wounded, including children”. On Christians discriminated against around the world: “Called to bear witness to the truth”.
On the day celebrating the Jubilee of the Poor, a priest from the Diocese of Tokyo reflects on how he included the night-time “tent city” in St. Peter's Square in the Holy Year itinerary with a group of fellow countrymen. ‘An invitation not to judge, but to set out on a journey in our poverty together with others.’
Leo XIV received more than 160 professionals on the 130th anniversary of the birth of cinema. He described it as an "act of love" that "must not shy away from the mystery of fragility". Its creators are "pilgrims of imagination", capable of "recognizing beauty even in the folds of pain". Drawing on the words of director David W. Griffith, he called on them to make it "an art of the Spirit”.
