The Patriarch Emeritus of Kiev has passed away at the age of 98. He had long been described as “the most Soviet of the metropolitans”, but in 1990 he was bypassed by Alexy in Moscow following the death of Pimen. In 1992, he was the first to break communion with the Russians, taking a large part of the clergy with him. Until, during the turbulent negotiations under President Poroshenko, it was Kirill who rejected an agreement, thinking (wrongly) that he could render it irrelevant in Ukraine.

The death of the patriarch who had led the Georgian Orthodox Church since 1977 and the fiftieth anniversary of the episcopal consecration of the patriarch of Moscow: two stories celebrated in the ‘Russian world’ as ‘heroism of faith resisting heresy’. Yet they also reveal the continuity between present-day Russia and the Stalinist era.

Even on Max – the messaging system imposed by the Moscow authorities as a ‘secure’ alternative to Western apps – a virus is circulating that steals users’ payment details. According to official figures, there are 100 million user profiles registered on the patriotic chat app, which is mandatory for dealing with public administration. However, knowing that conversations are monitored, many Russians use it on a separate phone.

Whilst the Russian pavilion at the Venice Biennale is causing controversy, there are also works in Russia striving to move beyond propaganda in their reflection on current affairs. This is illustrated by the story behind the exhibition *Dies Illa*, opened by Griša Bruskin at the *Zilart* Museum of Contemporary Art in Moscow.

Since 1991 and the Chechen Wars, Russian policy has been an unconditional continuation of what was essentially left unfinished in the 19th century: a form of territorial colonialism (unlike Western maritime colonialism) that continued with the war in Georgia (2008-2011) and the war in Ukraine (since 2014), using the same methods.

In the north-western region of Pskov, the governor is sanctifying the “special military operation” with two icons commissioned for a historic cathedral, depicting two local soldiers who died in Ukraine at the feet of great Orthodox patrons. The iconographers justify themselves by saying that by not depicting them as saints, “the dogmatic canons are respected”. Former patriarchate spokesman Chapnin: “They look like images from Stalin's metro”.